Junkyard Quotes
Week 3
#1
There are more ways than one to climb a mountain
(My daddy used to say there are more ways than one to skin a cat - I like this one better when facing a challenge that has to go to Plan B)
#2
A half truth is still a whole lie.
(On a church sign, tried to explain this to my husband. He didn't get it. Tried to explain it to my church high school kids, they got it.)
#3
Every one can be a witch.
(A quote from a movie, but meaning everyone can look at a situation and figure out a solution)
#4
Tears streaked the dust that covered her face.
(Made this up looking at a picture of a lady crying on a cattle drive)
Week 4
#1
Why do we crave the words "I love you"?
(asked this of my high school kids at church last Wednesday. I want to write about the answeres I received!)
#2
I sent a text to my brother on Valentine's Day saying "I love you". He texted back "I am praying for you"
(Your thoughts, I didn't get it.)
#3
It's so important to make someone happy.
(the world according to Debra and something I try to do everyday)
#4
As long as the longest river that makes its way to the sea.
(read in a book and thought of forever, unconditional love, looking at someone you love, those things you want to hold on to forever)
Week 5
#1
Not paying attention to your education will cause you to spend your future trying to learn what you were not paying attention to in school.
(go figure)
#2
Love -- Live --- Laugh
(seen on so many plaques, plates, signs, picture frames, etc. my thoughts we have to live or die and choosing to live, if we then love we will most definatly laugh)
#3
Best boat ever
(Spoken by my son who bought a little plastic boat at the thrift store for $1 and put it in the tub and it really floated!!! there's a story here!)
#4
Week 6
The kids see your face too much already!
(spoken by my pastor when he tried to cut a class and I offered to teach it)
Wednesday, February 15, 2012
Free Entry
Accord of Patience
The mourn of the native flute soars
Through old and new, flat and tall,
As a whisper, dancing and crawling as its
Story begs, pleads, hear me pale, dark mass,
You that polluted our Mother and twisted
Our ways useless have borne the shame.
Tradition still learned by those who hear,
Of a proud, respectful and brave people
That lived in harmony with Mother,
Father and The Wise One Above.
Onward pushed by the Oppressor, our ways
stripped by those who challenge the Spirit
and forced to mimic the pale ways. Our lodge
fires crushed, unadorned clothing without purpose or
the caress of a creative hand, our tongue silenced,
the ceremonial prayers choked as
rope
fashioned in a noose, swinging.
Look, pale dark mass, what you
have done
With your plunder. While you breed and
Spread your sickness, we feed our
fires and
Tend our young, unpolluted to your
rot.
And wait, as Mother slowly
restores us as Her keeper.
Free Entry
Sea of White
Clusters satisfied by the sun and
Rain, burst open across the field
To create the sea of white.
Each wave tended by its keeper,
bending, dark, singing songs of
the tired and weary as their
Heads bobbed, up, down, up, down.
As a child, the warm earth under the white
Waves was my play spot. The keepers
Tended me and Daisy as they pulled
The foam, stuffed it in coarse burlap sacks
Strapped to their backs.
When the sun
Touched the top of the split rail fence,
we sprawled under the shade,
like the chosen twelve around the last table.
I tried, as the twelve, to put order to what was
Before me. Too young, too simple.
As my hem touched the warm ground, I
Was forbidden to play in the white sea.
Daisy no longer my childhood friend
But Maid to her Mistress and our childhood
Chatter grew up as I became my mother.
Standing on the hill above the white sea, I
Watched papa watch the waves, as the keepers
Removed the foam, and pondered his promise.
I would captain the white sea, soon, for
My time had been appointed.
Tend the keepers
Of the sea and the land as your little one and it
Will fill you with strength, pride, grit.
Papa did not feel the slight stirring of the air
On this day of promise, but did I. His world as
Clear as his conscious, but not I. The tending
Of my childhood was not consumed by the
Length of my skirt or the drawing room
Speeches. It was a
tender painting of
Shared laughter, cornbread, grass and
Shade on a hot summer day when the
need of freedom was not
recognized by
Two children in a sea of white.
FREE ENTRY
I
Believe
Debra
Kelley Richardson
“I believe Sweet Jesus,
I believe” said Ganny as she laid her blue hands on the red words of The
Bible. Ganny was seated at the formica
table in the center of the kitchen that had fed, prayed and talked through
three generations and had the battle scars to prove it. This was grand central but the screech of the
female Carolina wrens and mountain blue birds as they prepared breakfast chimed
the early morning hour. Soon Rosie would
be in from the barn with eggs and milk which signaled the official start of the
day. “Jesus, I know you have a plan, I
know you have my heart and I know You will guide me to a decision that is wise,
fair and within Your will. See me
through Sweet Jesus, see me through” Ganny prayed as she reverently closed the
big black Bible that was inscribed Reverend Evan E. Kent. Her late husband’s Bible. The very one he was holding when his heart
gave away to a joyous journey ten years ago leaving Ganny alone until Rosie
arrived.
Betty and Evan Kent had
been blessed with six wonderful children, five boys and one girl. The fifty years since the joining of two
completely different cloths to form one merged seam were surreal and ordinary
in the same breath. Evan had known he
would preach the Gospel since he could talk and Betty had the flame of mischief
burning from her soul outward. Somehow
the cogs in the machine of time had fit together to form the most perfect
connection. Not the gold dusted fairy
tale, because trials had been a daily occurrence, like a check mark on the
calendar. But the overwhelming beauty of
the simple quality of life, like a lace tablecloth over a plain white sheet,
was almost like asking for too much. The
family had lived on forty-two acres of farmland that had belonged to Betty’s
family for seven generations. The gift
of the forty-two acres was the water to the flame of Betty’s desire to see, do,
experience, live and feel anything life had to offer outside the city limits of
the small country town. Evan captured
the energy Betty felt into understanding that life is about giving, storing up
for the future outside this world. That
while they lived here and life could be filled with blessings, setting aside
treasure for the timeless home in heaven was essential to breathing. Thus Betty became known in the small little
town for her kindness, generosity and tender ways beholding the wife of the
preacher. But the tiny embers of
mischief were still glowing when on occasion the preacher would be the
recipient of a form of retaliation that always had a lesson but turned into a
great joke, like with Belle the barn cat asleep in the pulpit one bright, sunny
Sunday morning when Evan had promised to make the congregation believe in hell. It was a good thing Betty could sew.
Each flower that
bloomed during the first 15 years was as precious as the last. Five boys, a mother’s dream! Each with the complacency of Evan’s warm
character and molded in his steadfast morals, they were her own football,
baseball and basketball team. The could
hit a homerun and pick vegetables on the way to home plate. Score a touchdown and deliver a calf during
halftime. Shoot a free throw and bring
down a bale of hay when the rubber met the cork. And, then, came Rosalyn. The most angelic cherub ever painted by the
masters could not compare. The
description of God’s most perfect messengers in their gossamer wisp of gold and
pink glow that pronounced innocence, perfection and beauty not of the world
were molded from the cast of Rosalyn.
Flaxen down covered her perfect head and lips the color of full summer
strawberries in the raised beds out back.
Her cheeks, her cheeks were the dusting of pink angel dust that begged
you to cuddle against or brush with lips and linger to sing a tribute to her
sweetness. Daddy’s angel, bearer of
anything pink and mother to all babies with cardboard cribs. She could also out ride, out run and out
fight any boy within a bike riding distance and rumor was, as far as the next
town. But Rosa had Mama’s flame. And the older she got, the brighter it
burned. On Rosa’s eighteenth birthday,
Reverand Evan E. Kent was buried in the little cemetery beside the little white
church. On the day after Rosa’s
eighteenth birthday, she was gone. A
white note on the white lace was all Betty found the morning after Evan’s
funeral and she grieved. The bold writing on the note was all she could
see but she knew the words. Evan was
Rosa’s glue and his death had loosened the molecular makeup that kept her at
home.
Nine years later, Rosa
came home. But only to deliver a package
and as history repeats, the next morning she was gone. The package was tall, gangly, blond and
cherubic and her name was Rosie. She
became the star in Betty’s sky. At Rosie’s
arrival, she became the thirteenth grandchild and while Betty cried for the
lost Rosa, she thanked God for the blessing of Rosie. Now, a year later, Betty had begun suffering
mini strokes and for the first time in her 79 years, Betty was afraid. She knew that if she died she would go to
heaven, no concern there, her mansion was built and crown lay on velvet. She knew if she went away five wonderful
young men would fight, literally, over who would be the chosen one to care for
Rosie. And Rosie adored each of
them. No problem there. The problem lay with Betty. Rosie had found a home with Betty and her
contentment was evident in every phase of her life. She enjoyed the farm work, appeared to find
solace in the simplicity of everyday living.
She had a way with the animals and the earth’s produce seem to be
miracles to her as she worked the garden and canned it’s evidence of her loving
care. She produced above average in her
school work and absorbed the wisdom of her teachers by filtering what was given
and fashioned her own bank of needed knowledge to carry her to the next
level. It was like watching a
construction of the perfect vessel of a young lady with purpose. Betty wanted to continue as the architect,
because she felt God leading her to help fashion her for a more divine purpose.
As Rosie came in the
back door, shiny bucket in one hand and Betty’s old woven basket in the other,
her smile backed up the morning sun that had begun drifting through the yellow
and white curtains shading the kitchen window.
“Good morning for eggs and milk Ganny!!!
This will keep you busy while I’m at school!” Rosie exclaimed as she
carefully set the morning’s bounty on the kitchen table. “But save the butter for me. I want to try your mama’s butter mold with the
swan when I get home.” Such excitement
over an old butter mold. “Rosie, I have
something to talk to you about this morning” Betty said with a degree of
solomness that had Rosie turning her head in surprise. “Ganny, I can see your eyes and your worry. You will be fine, God has not called you Home
and He still has work for you. Besides,
Papa told me I would be your angel here and that my job would be you.” Rosie spoke with wisdom way past her 8 years
but something she said lingered in my thoughts.
“Papa” or the Reverend Evan E. Kent had died ten years ago. And Rosie’s eight years would not have
allowed her to know her Papa. How had he
told this blessing anything? The answer
to all my questions lay in front of me in the form of a gifted little girl,
sent from heaven, to carry on my work.
Placed in my hands to mold and shape in the ways of the sinless One that
was also sent to this earth. To carry on
as a breath of tender air in a gasping world. God would be through with me when He had
prepared her.
Sunday, January 22, 2012
Response to Classmates Journal
Classmate Response
Kay Lowry Free Entry
Week 4
The reworking of this writing added so much detail! I am amazed at the clear picture I have
received while reading this piece. The
writer has obviously spent a great deal of effort to allow the reader to not
only view the situation but receive an insight into the people we are reading
about.
I especially like the comparison of the television program
to watching the boyfriend play the video games.
It is an extra touch that brings the piece together because the focus on
the stripes on the couch as the central theme is clear because of the choices
actually presented.
While reading the piece over several times, some areas could
be reduces without losing the touch of creative words. The two sentences describing the actually
playing of the video game became a little lengthy because I wanted to hear more
about the main character’s feelings.
I also have a desire to know what the character plans to do
about this boring relationship. I love
the insert about the gas which means thought is being put into what the
relationship is costing. This is a great
abstraction to show cost and you can feel the depth by these words. Also, “this time I can’t seem to sit still”
is another great example of showing some sort of finale or relationship
changing event is on the horizon.
The writer used great creativity in describing this
situation. I enjoyed the rereading.
Classmate Response
Super Long Free Entry
I read this piece not entirely expecting what I
received. Even though the writer has
placed a high amount of emotion on the tone thermometer, I feel the relevance
to the overall success of the piece is dependent on that depth of emotion.
The writer has done an excellent job of combining the
cooking of the father’s dish to weave into the story of her brother. Using the actions of cooking the eggplant as
an excellent allegory of the abuse of the brother. But I
want to know more background to be able to understand the hatred, if one may
call it that, of the father to the brother.
The writer may want the reader to wonder about this and be a piece of
the story the reader must work out for themselves, however, while I understand the father has issues, I
want to know more about the brother.
The strategy used by the writer of incorporating cooking the
eggplant as a façade to the telling of a childhood story shows a creative style
of writing that I feel is awesome. It
takes a great deal of concentrated effort to stay on track and present a well
written story that is actually two stories in one and present in a way that is
absolutely clear to the reader. This
piece does so admirably. I particularly was
impressed with how this writer managed to present a father that appeared to
have a just relationship with his daughter but presented as a monster to the
brother. That is why I question the lack
of details concerning the background of the family. Also, where is the mother during these trials
and why is the story not telling of her involvement? The writer may deem this character as useless
to the point and I accept, however, I became so involved, I want details. If sirens and hospital stays are a part of
the story, shouldn’t the mother have to answer for this? The imagery of this occurrence is well
presented, however, not how or why. The
connotations are endless in this perception and I ask if the writer
purposefully leads the reader to this point.
As with most short stories, a reader can cross out
irrelevant bits and pieces of another’s story but in the case of this story, I
feel it is not fair to implicate excessive writing. The story appears to move down the page with
relevance and leave the reader begging for more.
Classmate Response
Daniel Jackson Week #7
The symbolism and similes throughout this writing blew me
away! I had to read, reread and reread
to be able to put everything in perspective.
The creativeness that comes out in this is fantastic, however, the
normal reader, as I consider myself, will struggle.
What is your idea or focus?
Why are you experimenting with the particulars of grammer and body parts? Is there an underlying emotion, theme or
layer of tone the reader may pass over without realizing it?
The writer uses a great deal of creative imagery but forces
the reader to create a mental development that may or may not match what is put
on paper. I understand progression but
feel I am just on the verge of a revelation about this writing but am wavering
to make the fall. As a reader that
ultimately looks and works for a purpose, I may not be the best one to analyze
this writing, however, I do know creative word use when I see it and this is
amazing. The style is fresh and very
modern and a great read for the imaginative reader.
This writing also has a rhythm to it and the author was very
creative in reflecting this style through figurative language. The language is just popping all over the
place like mini explosions that makes one want to rush to the next line to see
what happens next. However, it does take
an innovative reader to appreciate the complexity of the writing.
Classmate Response
FREE ENTRY
The Blue
Room
The little
blue room its desires shattered,
Prophecy of lullabies
and little wheels that turned
Are curtains
closed, torn and tattered.
New cedar,
gleaming like angel wing tips
To brighten
the little blue room, pristinely arranged
As two shiny
coppers placed on the eyes, lips
Perfectly seamed
but lifeless, dull, gone.
The
occasional intruder to the room, careful
Not to
disturb sacred ground that was once
Filled with
hope, knowing one, prayerful,
Still seeks
redemption. Day by Day, open a
Door of purpose
to nurture the empty space.
I have a
plan, He said, for My acclaim, to tend
Your faith
and reveal My Grace.
The bell
delivers a promise of a miracle, soon,
A gift with
no ribbon but ringed in innocence, the
Answer, the
intention, of the little blue room.
Constant in
belief, your legacy will continue as
A sacred
road of gold, like the fair crown
Soon to be
brushed with lips that whisper
Thank You
Lord for drifting grace down.
The little
blue room is bustling, breathing,
With tiny wheels
that turn, green, yellow.
Pulse of
laughter, whine of teething,
Animation
comes to life and the door of
Purpose is
covered in ABC’s and 123’s,
Bold, black
marks build a yearly ladder,
That all focus on the point of grace, Kelley
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